February 12, 2020August 9, 2024greenupe 2020 One Acts Play Festival: Student Playwrights Discuss Their Processes
February 8, 2020August 9, 2024greenupe Grace Sanwald on Production Managing the One Acts and the Benefits of Student-Made Theater
November 12, 2019August 9, 2024greenupe Student Perspectives: “MMMM” dancers on rehearsals and process
October 18, 2019August 9, 2024greenupe Guest Sound & Props Designers on Theatrical Artistry and Crafting Shelly’s World in Playing With Fire (After Frankenstein)
April 29, 2019August 9, 2024greenupe Familial Bonds & Classical Drama in 2019 : Life Is A Dream Opens Next Week
March 28, 2019August 10, 2024greenupe From Israeli Folk Dances to The Hoedown Throwdown: Hadar Ahuvia & Site-Specific Appropriation of Bodies in Placeholder
February 22, 2019August 10, 2024greenupe Transforming Social Dynamics In the Pre-Production of Circle Mirror Transformation
February 15, 2019August 10, 2024greenupe Approaching Memory, Female Companionship, & Grief in Somalia Seaton’s Red
January 31, 2019August 10, 2024greenupe 2019 Student One Acts: Student Playwrights & Directors on Being Given A Stage
December 1, 2018August 10, 2024greenupe Tia Kramer on Process, You, and Being There: “Because You Are Here” Takes Stage Next Week
September 17, 2018August 10, 2024greenupe IPF Guest Playwrights Work with Students on Professional Productions in-the-Making
April 10, 2018August 10, 2024greenupe Spring Performance Series: Kristopher K.Q. Pourzal and Heather Kravas
February 28, 2018August 10, 2024greenupe The Trial of the Catonsville Nine Dramaturgy: exploring echoes between the 60s and Now